Mestrado em Estudos da Linguagem - PPGEL

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Navegando Mestrado em Estudos da Linguagem - PPGEL por Assunto "Alteridade"

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    Onde vivem os monstros: o espaço da alteridade na narrativa fantástica contemporânea
    (Universidade Federal de Goiás, 2013-04-26) Carneiro, Fabianna Simão Bellizzi; Silva, Alexander Meireles da; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4773667T8; Silva, Alexander Meireles da; Gama - Khalil, Marisa; Borges Filho, Oziris; Cardoso, João Batista; Soares, Leonardo Francisco
    Considerations on the space reserved in Science Fiction and Magic Realism to otherness and to those ones who do not follow specific behaviors and models ruled by institutions of power in contemporaneity. Historical view of Science Fiction in the U.S.A. and of Magic Realism in Latin America and, specifically, in Brazil. Survey of the literary space in fantastic narratives. Configuration of the space reserved to otherness in contemporary fantastic narratives. Analysis of José J. Veiga‘s and Ray Bradbury‘s works, related to critical texts of the themes: otherness, fantastic, space. Space as refuge of otherness and as opposition to rationalism.
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    A representação do outro na tradução intersemiótica da novela História da sua vida ao filme A chegada
    (Universidade Federal de Goiás, 2020-09-15) Silva, Gabriela Spinola; Silva, Alexander Meireles da; http://lattes.cnpq.br/8325920517508979; Silva, Alexander Meireles da; Carneiro, Fabianna Simão Bellizzi; Costa, Daniel Padilha Pacheco da
    Today, five out of the world's top 10 highest (unadjusted) grossing pictures are either based on a novel or a comic book. Given the remarkable cultural relevance intersemiotic translations (as defined by Jakobson, 1974; plaza, 2003; and Diniz, 1998, the transposition of something from one semiotic system to another) have, this work intends to deliver a comparative analysis between two works: the novella Story of your life, by Ted Chiang, and the picture Arrival (2016), directed by Denis Villeneuve. The present research regards the particular elements presented in each of the narratives (both the literary and the cinematic one), as it gives a critical eye to the representation of Otherness in both the film and the short story.