“Convoque seu Buda”: práticas de resistência e relações de poder nas letras de música de Criolo
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Data
2019-03-12
Autores
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Universidade Federal de Goiás
Resumo
This research aims to think, from the resistance practices materialized in the
song lyrics of Criolo, how the power relationships are given and how they
affect the subjects, objectifying and constituting them. Criolo is a
contemporary artist and remains committed to his musical aesthetic project,
being the voice of marginalized, giving visibility to issues silenced by
governments and institutions, breaking the system's chains, transgressing the
institutionalized discourse about progress, about the myth of racial
democracy, about meritocracy and others. These aspects make possible the
analytic of the discourses materialized in their letters, by the bias of the
analysis of the French discourse of Foucauldian approach, starting from the
resistances as the focus of analysis. For, as Foucault (1995) elucidates,
through the resistances it is possible to identify where the power relationships
are located. This study is justified mainly by the contribution to the studies of
language in order to evidence how certain devices of power operate on a
particular social body and what possibilities of resistance arise from these
power-knowledge relations. It is also justified by the possibility of reflecting on
how the transgressive language of rap can be understood as a discursive
effect linked to the practices of resistance since rap transgresses the
institutionalized discourses, breaks with the regimes of truth, focusing on
order of discourses in force in given historical rationality. By adopting the
arque-genealogy of Foucauldian discourses, this research was able to think of
the transgressive language of rap, practices of resistance to institutionalized
powers and their regimes of truth, since rap can break with discursive
practices that individualize, exclude and even mortify the subjects in the
urban space. The rap can be a voice and give voice to the marginalized, to the
subjects left on the sidelines, like the blacks, the poor, street citizens.
Descrição
Palavras-chave
Análise de discurso, Transgressão, Resistência, Poder, Rap, Discourse analysis, Transgression, Resistance, Power, Rap
Citação
LIMA, Jheny Iordany Felipe de. “Convoque seu Buda”: práticas de resistência e relações de poder nas letras de música de Criolo. 2019. 112 f. Dissertação (Mestrado em Estudos da Linguagem) - Universidade Federal de Goiás, Catalão, 2019.