A intertextualidade em Sexameron, de Luiza Lobo
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Data
2019-02-28
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Universidade Federal de Goiás
Resumo
This work aims to analyze the novel Sexameron: novelas sobre casamentos, by Luiza Lobo,
published in 1997, by the bias of intertextuality. To this end, we make the course of the concept of
intertextuality, going from the origin to its systematization. We use Mikhail Bakhtin, with his book
Problemas da poética de Dostoiévski (1981), for his reflections on Dostoevsky's work will give
rise to Julia Kristeva's creation of the term intertextuality, and systematizes it in her book
Introdução à semanálise (1974). We also use others theorists and critics who talk about
intertextuality as Laurent Jenny (1979), Gérard Genette (2010) and Antoine Compagnon (1996).
Thus, we assume that intertextuality is inherent to the text, and we propose to analyze how the
presence of the intertext contributes to the construction of meaning in Luiza Lobo’s narrative.
Finally, we try to fit Sexameron as a postmodern parody, and understand that Luiza Lobo seeks in
the work Decameron, by Giovanni Boccaccio (1351) elements to make her critical at the end of
the 20th century, mainly in what concerns the condition of the woman in different periods of history.
Descrição
Palavras-chave
Sexameron, Decameron, Intertextualidade, Paródia pós- moderna, Intertextuality, Postmodern parody
Citação
CRUZ, T. K. V. A intertextualidade em sexameron, de Luiza Lobo. 2019. 87 f. Dissertação (Mestrado em Estudos da Linguagem) - Universidade Federal de Goiás, Catalão, 2019.