Do papel à tela, três histórias de princesas: reconfigurações do feminino entre literatura e cinema
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Data
2017-03-31
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Editor
Universidade Federal de Goiás
Resumo
Considering the fantastic narrative’s relevance in the development of the imaginary and
popular memory this study aimed to comprehend how the representation of the female
characters occur in contemporary fairy tales depicted by the cinema. In order to elaborate
the corpus of this work, we selected to evaluate the cinematographic narratives Brave (2012),
Frozen (2013) and Maleficent (2014). These productions inscribe as contemporary fairy tales
due to its peculiarities that detach from the fairy tales’ stereotypes that stem from a
revisionist perspective which challenges many of the standards endorsed in common
narratives. In the analyzed movies we examined allusive issues to the reconfiguration of the
main characters that escape from the condition of subjection and passivity, as represented
for so long in productions of such genre. However, we highlight the ideological paradigms
which involve gender issues and determination of fixed places to men and women constantly
challenged, so legitimating the female autonomy. We base our research on contributions
from authors such that Gerard Genette (1982); Antônio Cândido (1988); Bruno Bettelheim
(1992); Teresa de Lauretis (1994); Nelly Novaes Coelho (1997); Robert Stam (2011);
Guacira Lopes Louro (2011); Linda Hutcheon (2013) among other agents of valuable
contributions.
Descrição
Palavras-chave
Conto de fadas, Cinema, Revisionismo, Feminino, Fairy tale, Cinema, Revisionism, Feminism
Citação
SANTOS, Fernanda Lázara de Oliveira. Do papel à tela, três histórias de princesas: reconfigurações do feminino entre literatura e cinema. 2017. 116 f. Dissertação (Mestrado em Estudos da Linguagem) - Universidade Federal de Goiás, Catalão, 2017.