O Discurso trágico na moda de viola

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Universidade Federal de Goiás


This research that resulted in a master's degree dissertation, with the title "The tragic speech in the “moda de viola"”, aims at treating about the reasons why a certain type of speech is present in the “moda de viola”. With a narrative format based in oral reports, the lyrics of “moda de viola” were, for decades in the XX century, a means of transmission of the sayings, of the already said and of the speeches that circulate daily in the flash-existence of a certain social group: either stated for a public belonging to the rural space, or stated for a public belonging to the urban space. An outstanding factor, but not configured as a rule, is the presence of tragedy in a lot of compositions of that musical style. Under that perspective of regularity, it is possible to notice that the tragic speech, stated in the songs of “moda de viola”, brings a subject configuration that is also constituted by interspeech, once the speech doesn't exist without subject. Starting from that outline, we propose the fundaments of the speech notions proposed by Foucault and Pêcheux to subsidize the subject stated in the tragic speech. To understand the peculiarity of some songs of “moda de viola” that present a narration with tragic ending, it is indispensable to observe some conceptions concerning the tragic, mainly considering the postulates of the modern reflections about the tragic that comes starting from Shelling until Nietzsche that represents the apex of that path of philosophical approach with the Dionysian vision of the world, identifiable in the lyrics that are constituted of tragic speech.



Moda de viola, Discurso, Trágico, Sujeito, Speech, Subject


ALVES, Aldenir Chagas. O Discurso trágico na moda de viola. 2014. 111 f. Dissertação (Mestrado em Estudos da Linguagem) - Universidade Federal de Goiás, Catalão, 2014.